fluffyfit:

surimistick:

i was making a lot of mistakes and then my archery instructor said:

“you make mistakes because you’re focusing on the target and not on your actions”

and i was like woah

thanks for giving me the best life advice i’ve ever gotten

guys just think about how applicable this is to EVERYFUCKINGTHING

jasonlatour:

"SPACE TIME GIRL" (2011)

comicsalliance:

REVIVAL, REINVENTION, RESURRECTION: THE POWER OF GREAT SUPERHERO COSTUME DESIGN
By Andrew Wheeler
We live in a time of awesome superhero costumes in comics. The rise and rise of cosplay culture, the emergence of comic artists with a savvy understanding of fashion, and the slow diversification that’s making heroes palatable to a broader audience, have all contributed to a costuming culture with more to offer than capes and pants.
Superhero costumes have always been an asset to the industry, because iconography helps establish character and create a brand. But the value of costumes in reaching audiences and reinventing characters seems to be recognized now as never before, leading to the rise of artist-designers like Jamie McKelvie and Kris Anka, who don’t even need to be on a particular book in order to be called in to make-over the characters. This is a great leap forward in understanding just what a good costume can do — and the special skills required to do it.
READ MORE

comicsalliance:

REVIVAL, REINVENTION, RESURRECTION: THE POWER OF GREAT SUPERHERO COSTUME DESIGN

By Andrew Wheeler

We live in a time of awesome superhero costumes in comics. The rise and rise of cosplay culture, the emergence of comic artists with a savvy understanding of fashion, and the slow diversification that’s making heroes palatable to a broader audience, have all contributed to a costuming culture with more to offer than capes and pants.

Superhero costumes have always been an asset to the industry, because iconography helps establish character and create a brand. But the value of costumes in reaching audiences and reinventing characters seems to be recognized now as never before, leading to the rise of artist-designers like Jamie McKelvie and Kris Anka, who don’t even need to be on a particular book in order to be called in to make-over the characters. This is a great leap forward in understanding just what a good costume can do — and the special skills required to do it.

READ MORE

theartofanimation:

可乐狗

geek-art:

#geekart #oneyearofbatman #batman75 Tim Doyle Interview for his Gotham PD print ! Interview exclusive de Tim Doyle à l’occasion de son print Gotham PD ! http://www.geek-art.net/tim-doyle-interview-for-geek-art-net-and-french-paper-ac/ 

brianmichaelbendis:

Michelangelo vs. Slash by Cody Schibi

brianmichaelbendis:

Michelangelo vs. Slash by Cody Schibi

paulazaceta:

thesixthear:

ungoliantschilde:

As Promised: the Jimi Hendrix art of Jean Giraud, aka Moebius.

Totally off the Sixth Ear Radar but couldn’t help myself here. Two of my favorite things together. Enjoy.

Okay. You win again Moebius.

why-i-love-comics:

Hawkeye #3 - “Beating the Odds” (1983)

written by Mark Gruenwaldart by Mark Gruenwald, Danny Bulandi, & Eliot Brown

why-i-love-comics:

Hawkeye #3 - “Beating the Odds” (1983)

written by Mark Gruenwald
art by Mark Gruenwald, Danny Bulandi, & Eliot Brown

lexbots:

the pumpkin king / sally

mudwerks:

(via 13: KILINK UÇAN ADAMA KARSI - “Kilink Vs The Flying Man” (1967))

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